top of page

 Readings and Published texts

​

​

​

2024 JOAN, 'Dance Across the Carpeted Floor, Please', anthology of writing, contributing writer. Launch at Camden Arts Centre on Feb 15th 2024. 

​

2022 Reading of selected poems, group exhibition curated by Sharon Young, 228 Chingford Mount, London. 

​

2022 'One Line, Two Times', reading, 228 Chingford Mount, London, supported by Hypha. 

​

​2020 ’As Parts’, poetry edition in collaboration with Jessica Jane Charleston, self published. 

​

​2020 ‘Repeating on Me: Patterned Ground’, co-curated night of performance and poetry with Natalie Zervou-Kerruish, Housmans Radical Booksellers, London.

​

​2020 'Gabriella Boyd: For Days' at Seventeen, London. Exhibition review, this is tomorrow, online. READ HERE

​

​2019 'Pocket Litter’, three poems published by Writers Forum, London. Editors: Matthew Robertson and Laurence Upton.

 

​2019 Patterned Ground, reading, Housmans Radical Booksellers, London.

 

​2018 The Poetry Cafe, London, reading.

 

​2015 'High Street Haiku's', text edition, self-published. 

​

2015 Samuel Jeffery exhibition review, at TG Gallery, Nottingham. this is tomorrow, online. READ HERE 

 

​2015 'Since the beginning of human civilisation we have worked with second-hand knowledge to shape ourselves  (things I have learnt from people my own age.)' Writing commission for ‘Search the Collection’, a project curated by Colette Griffin for Nottingham Castle.

​

2014 Danh Vō at Nottingham Contemporary, exhibition review, this is tomorrow, online. 

​

​2013 Performance Studies International: PSi Lexicon online, published text online. 

​

​2012 'In the Presence of Multiple Possibilities', contributing writer, An Ordinary Press Publication, curated by Royal College of Art and French Riviera 1988 Gallery, London.

​

​

82809144_2689914061046575_5624425515684200448_n.jpg

Reading performed at Patterned Ground', Housmans Radical Booksellers, London. 2018

Reading performed at the end of a residency awarded by Hypha Studios, 228 Chingford Mount, London, 2022.

Alice Gale-Feeny Copyright 2026

bottom of page